“Once a little boy sent me a charming card with a little drawing
on it. I loved it. I answer all my children’s letters — sometimes very
hastily — but this one I lingered over. I sent him a card and I drew a
picture of a Wild Thing on it. I wrote, “Dear Jim: I loved your card.”
Then I got a letter back from his mother and she said, “Jim loved your
card so much he ate it.” That to me was one of the highest compliments
I’ve ever received. He didn’t care that it was an original Maurice
Sendak drawing or anything. He saw it, he loved it, he ate it.”
Sad news today, hearing of Maurice Sendak's death. I grew up reading his books and watching Little Bear. He was one of the artists whose work I really felt a connection with at a young age, and I still respect him now as a serious artist. Rest in Peace, you charming, grumpy, wonderful old man.
A list of other art education blogs! It's unclear who runs the blog that these come off of, but they've been useful to look through.
http://mastersinarteducation.com/2010/top-50-art-education-blogs/
It includes useful tools to be found online for artist and specifically for art educators. Even if you don't agree with everything on the blog it's a valuable resource. I browsed through some of the blogs it listed and saw some really neat lesson plans (and some standards)
And just a thought, related to lessons, why do art teachers so frequently seem to work off of Georgia O'Keeffe (who apparently was somewhat active in the art education community, I recall reading at a show at the Whitney) and Frida Kahlo?
I looked up my mentor teacher and found his personal websites and blogs, where he posts his artwork. It was interesting seeing his personal work, which is well executed. I discovered that I was fond of the personal art of my cooperating teacher, but also that it is possible to maintain a personal practice once becoming an art teacher. I have heard that many teachers being comfortable and stop producing their own work, or that finding the time becomes a lot more trying. This is something I've worries about, wondering if I have the self-motivation to keep up with art outside of the classroom. Seeing that others do gives me the inspiration and hope to put effort into my work.
Below are some links to my teacher's cites and examples of his work.
http://npcaa.blogspot.com/
http://npcaa.com/Gallerynew.html
Some of the awesome stuff from this weekend's NYSATA Symposium! Thank you to all those who came or volunteered!
Keynote Speaker Deborah W. Meier, currently
works at New York University’s Steinhardt School of Education as a senior
scholar as well as Board member and director of New Ventures at Mission
Hill, director and advisor to Forum for Democracy and Education, and on the
Board of The Coalition of Essential Schools.
Meier has spent more than
four decades working in public education as a teacher, writer, and public
advocate. As a learning theorist, she encourages new approaches that enhance
democracy and equality in public education.
Action in the workshops and discussions
See more at http://www.nysata-7.org/artsymp_12/symposium12_pix.htm
Well, browsing the internet for views or approaches to assessment in art, it seems what we've been using in class is in the forefront. What came up immediately were Beatie articles and our class textbook. I'm not certain what else to put here, I didn't find anything that seemed useful that we hadn't already covered in class.
I will say that I like the idea of using reflexive video as a form of assessment for student, where they would reflect and write feedback on their performance/success based on what they see in video. This would be impractical to do for each lesson, but maybe twice a year.
All of the games from class today were really well thought out. I thought ours had valid categories but agree that the art history/style part could've been made part of a broader category. Danielle's group was the only game to involved assessment, which I thought was useful.